Leicester’s Christmas ice rink returns next month

By Em Brooks

Leicester’s Christmas ice rink is set to return to the city centre next month.

The ice rink has been a big part of Leicester’s festive events in recent years with more than 25,000 tickets being sold for it in 2019 alone.

Last year, due to Covid the rink did not appear. However, due to restrictions being lessened this year, it is returning.

Appearing alongside the ice rink will be a Ferris wheel with various other holiday themed items appearing in the city.

Reacting to the news, a Leicester mother said about taking her daughter to go ice skating: ‘’It’ll be a great experience.’’

Another older couple added that they’re both: ‘‘Glad to see it return,’’ despite not planning on skating themselves due to previous injuries.

Holly Dobson, a student at De Montford University said: ‘’I cannot wait to get back on the ice.’’  

As with previous years the ice rink will be hosted by Icescape.

The rink opens from Thursday, December 2, to January 3, in Jubilee Square. It will be open to all ages, both night and day, sessions last 45 minutes on the rink with hired ice-skates and skate-aids available. There are also quieter sessions available as well as reduced prices for off-peak sessions.

Leicester to have a smashing time this weekend

By Zarina Ahmed

Leicester’s Stokes Wood Allotment will be holding a pumpkin smash this weekend aiming to motivate locals to take part in environmental impact reduction.

A pumpkin smash offers the chance for any leftover pumpkins from Hallowe’en to be smashed and composted, reducing food waste.

So far, the organiser of the event, Carry on Composting, have collected over 100 pumpkins for the event, with another 40 at a local school.

Last year, 100 pumpkins were collected, with local schools joining in for the event, according to Rod Weston, an active participant in community composting.

Mr Weston said that small efforts done by groups, such as Carry on Composting, have been influenced by charity hubs that encourage the reduction of food waste.

He said: “We’ve been encouraging composting for years.

“I’ve been doing this for 10 years now, and similar events have always been successful.”

Going to various universities, schools and events, he and other groups have been encouraging others about leftover food waste, especially after Hallowe’en, which is a peak time to compost and reduce food waste.

The non-profit organisation has been set up to promote the reduction of food waste and the amount of waste sent to landfill sites.

The pumpkin smash is one of a number of similar events taking part across the city.

Leicester City Council, which has promoted the event, estimates: “That 15 million pumpkins are binned in the UK every Halloween – but the flesh, seeds and even the stringy bits can be used to serve up some delicious treats instead.”

Councillor Adam Clarke, Leicester’s deputy city mayor for the environment, said that across the city, there are: “Thousands of dedicated allotment-growers who are committed to reducing food waste, so it’s great to see these events happening that will help spread the message.

“We’re keen to encourage people to recycle more.”

The pumpkin smash will be held on Saturday(NOV13), from 10.30am to 12.30pm at Stokes Wood Allotment in Leicester.

Empty stalls suffer crisis at local Leicester market in post lockdown

by Azim Saiyed

Local market trade is on the decline post-lockdown due to retiring and self-isolating traders in the Leicester market.  

 A high number of stalls can be seen empty and abandoned following the end of lockdown due to self-isolating traders which some fear is portraying the market’s image as a dying institution.

Paul Abbot, 56, a grocer with 34 years of experience in the trade, said: “If it stays like this, it’s going to hurt us.”

The increasing number of corner shops and the dominance of large supermarket chains are also preventing the local market of Leicester from thriving.

A high number of stall can be seen empty and market is also unpopulated

 Mr Abbott, also known as Bud, described it as the “heartbeat of Leicester” but said it is no longer the same as before. 

“Not only the fruit and vegetable trade stalls have been hit by this adversity but the dry goods stalls such as clothing and toys have been badly affected,” said Mr Abbott. 

He believes the availability of the lockdown business grants from the government have resulted in many new local businesses opening which has impacted the market stalls negatively. 

The good fortune of home-grown produce has meant that there have been no consequences of a lack of foreign export trade especially in the current crisis of HGV driver shortages. 

“Trade is slower towards the winter,” said Mr Abbott. The market traders will have to prepare themselves to face this hardship. The issue is magnified with the additional problem of language barriers between traders and customers who come from ethnic minority customers. 

56 years-old Paul Abbott applying his speciality skills in the market trade.

Mr Abbott’s busy work schedule consists of buying and collecting produce from Leicester’s wholesale market in the morning at 4am, then tirelessly selling the produce throughout the day at the local market. 

Bud’s stall contains a variety of produce, more specifically a maximum of up to 70 different types of produce. 

Originally, he started with selling fruit but then due to customer demand also started to sell vegetables as well. 

Mr Abbott said: “We can only pray for better times”, as lockdown has ended but the fight against covid-19 is still very much alive which means the market trade remains unstable and un-secure. 

Black to the future: the fresh face of alt-culture

Alternative black girls have been around for a long time but have faced ridicule and alienation within their community. But with the likes of Rico Nasty and Mimi The Nerd embracing their alternative identities, changes are coming, writes Isatou Ndure.  

A pale, skinny white girl, that’s the ideal aesthetic for an alt, punk or e-girl: the signature deathly pale look, complete with dramatic eye make-up and a bold black lip.

Caprece Harvey

But scroll through TikTok and Instagram and you’ll see the faces of alternative girls are no longer white. Black alternative girls have blown over social media as more people begin to appreciate their uniqueness. 

What most people do not understand is that it was never a prerequisite to be pale or specifically white to be in the scene. It was all about the state of mind, the beauty, and the music. It’s never about the skin tone. The concept itself is absurd.

Growing up any black girl who dressed as a goth or punk would be labelled as an Oreo, “black on the outside and white on the inside.”   

If you were black and dressed differently you were not accepted by either race. You were somehow too white for the black kids and too black for the white kids and were deemed as outcasts. 

But these days, black alternative girls no longer rouse such negative reactions anymore from their peers, not to say they don’t receive negative reactions at all, but it is more likely from those in the older generation.  Trends that were once specific to particular groups, have to some degree submerged into the mainstream standard. In earlier times, a septum piercing was a stature of subverting the status quo. Now? Not so much. 

In high school, I had some guy scream ‘vampire’ as I walked into class. I took it as a compliment

Connie Williams

Eighteen-year-old Sumaya Botan, or Maya, from Birmingham classes herself as an alternative black girl and pinpoints her style as cottage core, scene and baby-doll like.  

Maya Botan

“I’ve always leaned towards being alt mostly because it’s such a welcoming open community and I love that anything is acceptable as long as you’re a nice person.

“I’ve always had a fascination in alt culture but would say I had the confidence to dress the way I do now around 2018.”

Even though alternative styles are now celebrated, girls like Maya still feel like outcasts to those that do not appreciate alternative culture and there are still occasions where girls are judged for the way they dress.  

“I have received quite a lot of hate for the way I dress and present myself mostly when I’m in public, I get a lot of stares or get called out in public quite often, but I mostly just take that as a compliment at this point!” 

“People are scared of what they don’t understand or know and it’s fine I know it mostly comes from a place of self-consciousness of not being able to fully be themselves.”

It seems to be a normal thing for alternative girls to take the negative reactions they receive and view them as compliments. Across the pond, 24-year-old Connie Williams and Caprece Harvey, 23, have had similar experiences. 

New Yorker Connie says: “In freshman year of high school, I had some guy scream “vampire” as soon as I walked into class. Everyone laughed whilst I was unfazed. I actually took it as a compliment.” 

Model Caprece, from Pennsylvania, chooses to not give her energy to those that do not match her own and spoke of her own negative reactions to the public. 

“If by negative you mean soccer moms scoffing at me in the grocery store, yes, but I view it as a compliment. Someone took the time out of their day to acknowledge me. Like what? Thank you boo it’s always a pleasure, mwah.”

Many of the foremost unconventional, exciting and edgy individuals within the world are black and they’re not any less because of it.  

I would try to hide the bright clothes my mother bought me. It just feel normal to shop for dark colours

Connie Williams

Connie grew up loving alternative styles. “I was a quiet kid and felt insecure around a lot of other girls who developed more than me. At the time, I would put more of an effort into my fashion in order to feel attractive and less like a wallflower.”

Connie Williams

Connie describes her style as e-girl, kawaii and preppy goth. She loved alternative clothing before it was labelled “cool” by the rest of the world.  

“I’ve been doing this since middle school, so it’s now natural to me. I hated pink, yellow and green on me. I would try to hide the bright clothes my mother brought me in the back of my closet. Now it just feels normal to shop for dark colours.

“Dressing in pink and wearing “girly” clothes made me feel ugly. Once I was able to shop for myself, I bought more black clothing and felt more like a pretty kickass wallflower.”

Many alternative girls are now aware of how mainstream their style has become over the years. Now it’s a trend to be an alternative.  

The rise of unconventional rappers like Rico Nasty, Willow and Mimi The Nerd who portray self-expressions that have been made invisible within the black community and as a rule are seen as the sole realm of white social pariahs, have displayed a new dawn for alternative black girls. 

Down in Pennsylvania, Caprece describes her style as “daring, unique and ethereal.”

“I have always had a fun style since I was a little girl. I used to reconstruct my clothes all the time, the older I got the more diverse and unique it became.

“I will always take my style further, evolution is inevitable. I don’t even stick to one style, so I can’t imagine staying on one wave, yikes.”

It’s fair to point out that goth and alternative cultures are connected to whiteness within the well-known imagination, but many characteristics related to these subcultures, such as tattoos, piercings and rock have roots in the black community.  

The deletion of black people’s commitments to such subcultures is overwhelming, if you look hard enough, it’s not difficult to spot how blackness and alternative styles converge. 

Sumaya, Connie and Caprece are keeping alternative styles alive in the black community.  Many don’t believe that the black alternative community is bigger than they think. Whilst some are open-minded, a certain stigma remains within the minds of others that alternative equals white.  

Connie Williams

As the new era of black alternative girls begins to take over the world, those that have come before offer some advice. 

Sumaya says: “Be the most you possibly can be because nothing anyone says or thinks really matters. They are too caught up in their own issues to worry about that outfit you’re too scared to wear.”

Caprece says: “Keep doing you babe, you’re going to change the world.” 

Connie says: “Buy wigs, not cheap hair clips from Hot Topic, they do not match your hair texture!” 

Revealed: the front runners in magazine cover prize showdown

These are the gorgeous glossies making a splash in the clash of the covers contest for journalism students at De Montfort University, Leicester.
Six striking designs have made the shortlist in the university’s annual cover prize competition, which is being judged this year by Joe Brewin, deputy editor of FourFourTwo, the world’s biggest football magazine.
Students on DMU’s Journalism degree create print and digital magazines in a final-year project which puts the writing and design skills they have gained during their studies to the test. Each year, the best covers go head to head for a cash prize.
The page-ones to watch in this year’s crop are:

MMXX, a defiantly upbeat magazine showcasing inspiring stories amid the gloom of lockdown, created by Khrista Davis, Mary De-Wind, Beatriz Ferreira, Luke Pawley and Rean Rehman.

Horizon, a contemporary lifestyle magazine telling tales of hope and trauma created by Maryia Lall, Claudia Montague, Temba Ncube, Sonia Raju and Millie Steptoe, which includes a powerful story of a survivor of so-called conversion therapy.


Escape, a socially-aware health and wellbeing magazine with a keen interest in environmental and mental health issues, created by Matthew Childs, Izzi Rix and Abbie Wilkinson, and featuring an in-depth report on women with endometriosis and their long struggles to get diagnosed.


Blood.Sweat.Tears, a modern sports magazine with a focus on football, wrestling, boxing, basketball and tennis, created by Samuel Gill, Adam Rear, Harry Shellard, Oliver Taylor and James Wynn.


Spotlight, an entertainment/culture magazine aimed at Gen Z and millennials created by Savannah Duncan, Samuel Hornsby, Salma Ouaguira Abir and Khadisha Thomas, which boasts an interview with the I May Destroy You star Weruche Opia.


Rivo, an arts and culture magazine created by Rhys Bailey, Victoria Kingsley, Isatou Ndure and Omar Qavi, featuring an in-depth interview with Sex Education star Rakhee Thakrar.

The winning magazine is due to be announced next month, with a £200 prize up for grabs. Journalism programme leader Brian Dodds said: “Each year, I’m struck by the impressively high standard of the magazines produced by our talented students at DMU and this is yet another very strong shortlist of contenders. Well done to them all.”

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