Christmas events in Leicester this year

By Vivek Julka

The festive period is here and there are plenty of things to do in Leicester to enjoy yourself over the holidays.

Christmas Wheel of Light – located on Jubilee Square. A ride on the 110ft Ferris wheel lasts about ten minutes with a standard ticket costing £7. It closes on the 2nd of January 2023.

Fun Fair – Humberstone Gate is where you will find this, with rides you can enjoy over the festive period, until 2nd of January.

Traditional Nativity Scene – in Town Hall Square, with free admission. Here you will see all the traditional characters such as Mary, Joseph and baby Jesus, plus hear the nativity story. Closes on 6th January 2023.

Jubilee Square Ice Rink– Get your skates on and enjoy the annual rink. Closes on 2nd of January 2023.

Santa in the Square – in Town Hall Square, free admission, with all children getting a free gift from Santa himself. Closes on Friday, 23rd of December.

Leicester resident Elliot Turner said: “I went on the Ferris wheel for the first time and it was brilliant, I recommend trying it if you haven’t already.”

If you want any more information about these or more Christmas events in Leicester this year, visit www.christmasinleicester.co.uk/whats-on/

Review: The Wizard of Oz at Curve, Leicester. ‘Over the Rainbow, and above my expectations’

By John Perry

The Wizard of Oz has seen many iterations since its conception into a novel by L. Frank Baum, most notably the 1939 Hollywood classic starring the late Judy Garland. Moving forward the best part of a century, Andrew Lloyd Webber redefined the classic into a stage production in 2011. Now in 2022, Curve Theatre has once again redefined what The Wizard of Oz is with their contemporary take on the tale involving deviations in characters and story to create an important version involving environmentalism.

Stepping into the Curve is an experience of its own, a modern building near the heart of Leicester, but I was still not expecting the sheer scale of production, talent, and technological achievement once I took my seat to view this fantastical performance.

The Wizard of Oz creative director Nikolai Foster brought his vision to the Curve theatre and it’s simply breathtaking. Inspired by Route 66 and the American dream, this is a new rendition of a classic that is a must-see. We all are aware of Dorothy’s adventure through Oz, her meeting characters representing her family, friends and learning to understand the importance of home through a magical experience. Here, we still get that core story but with modern twists, comedy, and heart.

You are not merely transported there; you are part of Oz for the next two hours.

The boldest surprise to me was that in the blink of an eye, set pieces meld into the stage with brilliant light shows and 3D effects. Flashes of light, dazzling special effects and environments on stage evolving. You are not pulled into the world; you are immersed into it. You are not merely transported there; you are part of Oz and Dorothy’s adventure for the next two hours.

The cast of the Wizard of Oz at Curve, Leicester. Photograph by Marc Brenner

The acting and vocal talent of the entire cast is brilliant but particularly in Dorothy (Georgina Onuorah), Scarecrow (Jonny Fines) and Glinda (Christina Bianco), phenomenal voices reverberate around the theatre space. They truly know how to pick artists here; the production team is a character of their own too. As is the band hidden beneath the stage – a live orchestra that many wouldn’t even believe was there. To the naked eye it’s simply a musical track playing unless you have the opportunity during the interval or a lucky seat at the front to peer below the stage into a pit of experienced musicians bringing Oz to life.

West End quality without the need for a trip to London is how best to describe it what is witnessed here. It features genuinely funny moments. Hearing a cast member saying “I’m a friend of Dorothy” – we all know the connotations – made the adults erupt in laughter, while Scarecrow simply leaping, falling, and rolling around the set during his introduction had the kids giggling like a pack of hyenas. An addition I did not expect was a puppet version of Toto that was handled entirely by a single crew member on stage, practical to avoid a real dog.

Aesthetically, it deviates heavily from the original to be in line more with its environmentalist take and contemporary vision, which includes Munchkin land being an industrial and dilapidated town, Emerald City representing a New York landscape and the witches of Oz riding motorcycles instead of brooms. It could have done more in terms of altering the narrative to fit this, but I expect it was a creative choice to stay truer to the original in its script.

Ben Thompson (Toto) and Georgina Onuorah (Dorothy). Photograph by Marc Brenner
Charlotte Jaconelli (The Wicked Witch of the West). Photograph by Marc Brenner

As the second half began it truly showcased more of the time and money that went into this daring new take on the classic. The production value and realism they went for was breathtaking: Emerald City having small Easter eggs on the large LED screen at the back, parodies of McDonald’s, Starbucks and even a nod to Garland herself in a Times Square-like billboard. The little things were not ignored.

The pinnacle of the entire performance must be Onuorah’s rendition of Over the Rainbow as Dorothy. A bright, positive, and soulful take on the theme to the original movie. It gave us goosebumps, and earned a standing ovation from many of the audience.

It’s for everyone. A modern take on a classical tale. A fantastic musical, with amazing vocal talent, technical expertise, music that just engulfs the audience in the moment. It was also wholesome to see a sign language interpreter present on stage for accessibility of disabled audience members. Inclusivity is important to Curve.

This production is incredible. After a pandemic delay, to find its feet like this and still be a powerhouse of entertainment. It is special. A true five-star experience and a must see for all the family this Christmas. It certainly went over the rainbow and above my expectations.

The Wizard of Oz runs at the Curve Theatre in Leicester until January 8.

Culture Kick: Goda Vezeviciute

Students on De Montfort University’s Arts and Entertainment Journalism module pick the films, plays, music, TV shows and books that shaped them.

My favourite film 

The Godfather.  I love old films about the mafia and good stories. One of my favourite actors of all time is Al Pacino, who plays one of the main roles in that film. 

The first time I watched this movie was with my dad, when I was 10. We loved it so much, that next week we watched the second part of it and third part. 

When I grew up, I watched all the trilogy again, but by myself. I loved it even more. 

The first time I went to the theatre 

I don’t remember, but I must have been a child, because I know the fact that in Lithuania I would go quite often to the theatre with my school to see a play for children. 

The TV show I’m currently binging  

How I Met Your Mother, a TV show with so many seasons and episodes, you watch one after another, and basically you are just wasting your time. Nothing good comes out of that, you don’t learn anything from it, but you can’t take your eyes off it.  

The first song I adored 

It is hard to remember the first one because I started listening to music when I was little. Me and my dad used to have this tradition: once a week, in the evening, we would sit down in front of the computer, put on Mozart, and just sit in silence and listen. I loved those moments because it was my special time with my dad.  

When I was a few years older, I started listening to Lady Gaga. I just loved her songs. 

My karaoke tune 

Fun fact, I have never sung karaoke. Even though I love to sing and used to sing in a church band as a soloist, I never was a fan of karaoke. 

The lyrics I love 

“We both said, “No feelings” but we caught feelings already  
Go and tell your father that I’ll have you if he lets me  
Knew you was the one, so I pursued it 
Let’s both get drunk, and make a movie.” 

It’s a kind of guilty-pleasure favourite. I’m not proud of it. But these are the lyrics from a song of D-Block Europe, who are my favourite UK rap band. Basically, most of their songs are about girls, love, sex, drinking. 

To be honest I think these lyrics are my favourite because they are kind of telling me and my boyfriend’s love story. For three years when we were going to the same school, we were friends. But he really liked me and always was by my side because he was hoping to get me one day. But he graduated one year before me and that never happened, I just saw him as a friend.
We hadn’t seen each other for about two years when suddenly I saw him in my home city going to a night club. I was drunk and called him, saying come join me and my friends. We ended up spending all night walking around the city and talking. Slowly I fell in love with him and he finally got what he was reaching for. So, when I hear these lyrics, they are close to me in a way. 

The first gig I saw 

I don’t remember to be honest. I don’t go to gigs that much. 

The book I couldn’t put down 

Looking for Alaska, a book about a teenage love story. This was my first romance book, I read it when I was a teenager. I hadn’t experienced love at that time, so that’s why it was very interesting for me to read it. 

Overrated 

Taylor Swift. She is so popular, has so many fans, but I just can’t stand her. Her voice makes me sick.  

Underrated 

Classical music. The young generation should try listening to this more. They just don’t because they think this is for older people.  

My guilty pleasure 

Love Island. Stupid show, but I just love it. 

Why time should be up for Arteta

Long-time Arsenal fan and DMU journalism student Vivek Julka shares his views on the Gunners’ manager.

Mikel Arteta is still in a job at Arsenal. Somehow.

It has been just over two years since Arteta was appointed as Arsenal boss back in December 2019.

It is safe to say there have been a few highs, but many lows, in his current reign at the Emirates.

I am going to take a dive into his reign and show why I feel he should have been sacked by now.

He took over from fellow Spaniard Unai Emery in late 2019 which raised some eyebrows due to Arteta’s only managerial experience coming from sitting next to Pep Guardiola at Man City, where he was Pep’s number two.

However, there was some optimism from sections of Arsenal supporters and pundits alike due to feelings that he might bring elements of Pep-esque football to North London.

Two years on we know this has far from happened, Arsenal fans are instead treated to drab, boring football with little freedom given to the players.

Arteta did get off to a positive start in the second half of the 19/20 season. Despite being dumped out of the Europa League in the round of 32 by a much weaker Olympiacos team and finishing a disappointing eighth in the Premier League outside any European places, he did manage to win Arsenal’s fourteenth FA Cup. It was an impressive run too, as Arsenal beat Man City 2-0 in the semi-final and Chelsea 2-1 in the final, with world-class performances coming from Pierre-Emerick Aubameyang and Emi Martinez especially.

However, the FA Cup triumph became a distant memory after the end of the 20/21 season for Arsenal fans who have real ambition and hold their club to a high standard as Arteta finished eighth again and finished his first full season without a trophy, which resulted in a first season without any European football for 25 years for Arsenal. Another record that Arteta has broken.

He also threw away the FA Cup in the fourth round against Southampton by fielding a weak starting line-up, even though he had his best players available – the same trophy which gave him a bit of credit in the bank. He then did this once more this season against Nottingham Forest and we went out again.

He has managed to turn £45 million man Thomas Partey, who was world class at Atletico Madrid, into a poor midfielder who has struggled for consistency. Though saying that, it does make a huge difference from being coached from Diego Simeone, one of the best managers around, to then being coached by a rookie in Arteta.

Also, in his first full season as Arsenal boss, one of the best strikers in the world at that time, Aubameyang, had his worst ever season in his career. However you could argue he lost motivation after his big contract, but it doesn’t help when your role is to score goals and you are being ordered by your manager to stay on the halfway line and play left wing. He should have been playing up front in a two with Alexandre Lacazette as they were lethal together under Unai Emery.

To make matters even more embarrassing the former boss Emery schooled Arteta in both legs of the Europa League semi-final last year and went on to win the trophy making him the most successful manager of that competition.

When it comes to transfers Arteta and technical director Edu Gaspar, have barely got a thing right since they have started dealing with recruiting players for Arsenal.

They sold Emi Martinez for £20 million to Aston Villa off the back of his stunning performances during the FA Cup run and instead opted for a clearly worse goalkeeper in Bernd Leno. Despite that, the mistake was rectified this season when Aaron Ramsdale was brought in for £30 million which again raised a lot of eyebrows myself included, as he was relegated three times previously. However this gamble has paid off so far as he has been Arsenal’s best player this season.

Paying £50 million for Ben White was a bad decision as he is nowhere near the quality required to get Arsenal competing for major honours again. He has often looked shaky and simply not good enough. How Arteta and Edu went to Brighton with £50 million and came back with White not Yves Bissouma a top midfielder which is what Arsenal desperately need, switched-on club fans will never know.

Also, the permanent signing of Martin Odegaard from Real Madrid was another mistake as his loan stint in the previous season was inconsistent, which is what is his performances this season have been too.

If Arsenal were a serious club, they would go all in for someone like James Maddison instead who has proved it in the Premier League for a few seasons now.

New contracts being given out to deadwood players like Granit Xhaka and Rob Holding is another problem. Xhaka has been a liability since he has arrived at Arsenal and should have been moved on a long time ago. But Arteta still persists and constantly plays Xhaka who continues to cost the team from his stupid challenges and gets a pass from the manager and sections of supporters who in their eyes he can do no wrong. On the other hand, when Nicolas Pepe got sent off one time, Arteta outed him in front of the press. One rule for one and one rule for another.

Lastly, the treatment and man-management of some players by Arteta has been a disgrace. Aubameyang was stripped of captaincy for allegedly being late to training and now has been forced out the club. It is okay for Xhaka to do much worse though, according to Arteta’s actions. We have not heard the player’s side of the story so we cannot judge on this situation.

I think Arteta cannot deal with top experienced players like Aubameyang. Yes, his performances have not been as good as they once were, but Arteta’s failing system has ruined him, and he will show his class at FC Barcelona. Remember this is the player who has kept Arteta in a job effectively as he won Arsenal the FA Cup.

Similarly Mesut Ozil was another victim of Arteta’s treatment. Another world class player and big character Arteta could not handle. A victory that Arteta fanboys still laud up to this day even though it was nearly two years ago. Some fans and the manager have short memories and should remember what Aubameyang has done during one of Arsenal’s toughest periods.

Another pair of players who have received disgusting treatment by Arteta are French duo William Saliba and Matteo Guendouzi.

Saliba, who is currently out on loan to Olympique de Marseille, has not even made one appearance for Arsenal despite joining back in 2019 for £27 million. He is a highly rated prospect and is consistently included in the French pundits’ Team of the Week in Ligue 1. His best performance came recently against Paris St Germain when he kept world class players like Kylian Mbappe and the best football player of all time Lionel Messi quiet.

However Arteta decides to opt for clearly worse defenders in Ben White and Rob Holding.

Matteo Guendouzi who is at the same team as Saliba, has been pulling up trees in France too with a tenacity and quality in midfield that Arsenal lack. I feel Arteta has exiled him due to his quick temper but there is nothing wrong with showing passion for the team. Which again shows Arteta cannot deal with big personalities and characters who challenge him.

Also, the over reliance on Bukayo Saka has made the young player go backwards in his development. Arteta even said in a press conference ‘he should learn to play through injury’ which is absurd. He is a good player but should be in and out the team, learning his trade. However, the experienced players he has to look up to include figures like Granit Xhaka due this to ‘youth project’ which is a sham and is a cover for the failings of this club for the past decade.

There is no doubt that Arteta should be sacked but it is up to the fans to raise the standards of the club and push him out as he is clearly not good enough to get Arsenal competing with the likes of Man City, Chelsea and Liverpool. Instead, most of the deluded fan base go for an easy target in Stan Kroenke the owner of the football club who apparently does not spend money on transfers, even though Arteta has had about £200 million spent on players he wanted. This is mostly his squad of players now, due to players he brought in and contract renewals to players that were there before, and we are nowhere near we should be.

Arsenal missed a trick in not getting Antonio Conte as we would be competing if we gave him £200 million to spend. A manager like Graham Potter would be great too as he would bring exciting football to the Emirates. He has shown what he can do with a weak squad at Brighton.

All in all, time should be up for Mikel Arteta now and in reality, he should have been sacked a while ago.

Vivek Julka

A Chorus Line at Curve: ‘My exclusive, behind-the-scenes chance to watch the mesmerising Christmas show take shape’

Chorus of approval: the cast of A Chorus Line at Curve. Image by Marc Brenner.

From read-throughs to rehearsals to curtain up, De Montfort University Journalism student Maykel Valladares followed the rise of Curve’s critically acclaimed Christmas show – and blogged about it for the Leicester theatre’s website. How did she land the role? Here’s her story

It’s July 2020, mask mandates are put into place and people are still encouraged to stay at home in the state of Utah. I needed to find something to keep me busy, so I registered for a summer semester of school. I spent a lot of time sewing since I was pursuing a fashion degree.

One day I was cutting and ironing a significant amount of fabric and I wanted to play something on the television so I wasn’t working in silence. I saw that the popular Broadway musical “Hamilton” had recently been made available on Disney Plus, so I decided to turn it on. As it went on, it was no longer background noise. I became hooked on the story, the dancing, and the music. This was the start of my obsession for musical theatre.  

Fast forward to October 2021. I have taken the leap to live in England and I’m studying Journalism at De Montfort University in Leicester. Even though it’s a dream come true to study abroad, I knew I had my work cut out for me.

During the first week of classes on the Arts and Entertainment Journalism module at DMU, I found out about an internship that was available at Curve Theatre in Leicester, as a blogger for their big Christmas production of A Chorus Line. The blogger would get to sit in on rehearsals and help give a glimpse of what goes on behind the scenes.

A chance for me to practice my writing and I get to watch a musical? Sign me up!

I applied and got an interview with Fiona Moore, the press and digital manager at Curve. She’s incredibly sweet and was kind enough to offer me the position.

Utah to Les-tah: Maykel at Curve

I started on November 1, the first day of rehearsals. You could feel the excitement radiating off this new cast. As I looked around the rehearsal room, there were mood boards hung up all over and a miniature model of what the set will look like. I loved seeing the 1970s inspirations the set and wardrobe designers were using.

That first day, it was just the cast getting to know each other and doing a reading of the script. They all sat in a circle and even though there was no singing and dancing, they were animated and were starting to become their character. Honestly, I would pay just to watch that.

‘It has been a privilege to learn about how much work it takes to bring a production together.’

Maykel Valladares

Every week I would check back in with the cast seeing how the show was progressing. Going to rehearsals was the highlight of my week. For me, watching them learn the songs and dances helped me grow my appreciation for theatre. I would get lost in their voices and was mesmerised by the energetic choreography.

I had never really thought about the hours of work that go behind a big production like this. You just go in, take a seat, and almost just assume that they have always know what they are doing. That’s not the case. They forget lines, they miss steps, they have to repeat everything. What impresses me is the dedication and discipline to practice for hours on end to perfect their craft.

Hats off: A Chorus Line at Curve, Leicester. Image by Marc Brenner.
Mirror man: Adam Cooper as Zach. Image by Marc Brenner
In the air tonight: the mighty Carly Mercedes Dyer as Cassie. Image by Marc Brenner

During most rehearsals, director Nikolai Foster would stress the importance of understanding the story of A Chorus Line. It’s a story of these actors from all different backgrounds just trying to pursue their passion. The audience won’t be able to relate if the actors themselves can’t relate to the story.

“This is a story about your childhood being over and moving towards the future,” said Nikolai, “Embrace it with your energy and connect the story to you.”

The relatability of A Chorus Line is what makes it one of my favourite musicals. I love Nikolai’s reason for bringing this show to Curve.

“We are being made stronger by the trauma and the anxiety by the sheer terror of what we’ve all been through,” said Nikolai.

Going to the theatre is what gives me an escape from the uncertainty of life. Even if it’s just temporary, seeing the characters of this show singing about the struggles of growing up makes me feel like I’m not alone. I think everyone will be able to relate to some aspect of this show.

It has been a privilege to learn about how much work it takes to bring a production together. It feels like just yesterday it was the first rehearsal and it was just a simple reading. Now, it’s the highlight of the holiday season for all those who watch it. 

A Chorus Line runs at Curve, Leicester, until Friday, December 31. Read Maykel’s blog for Curve here. And book tickets for the show here: https://www.curveonline.co.uk/whats-on/shows/a-chorus-line/