Caroline Flack: Let’s stop blaming everybody for her death

OPINION by Ben Sanderson

Here we go again.

Everyone’s favourite villains, the English media, are apparently at fault for Caroline Flack’s suicide on Saturday.

They reported on her assault charge and her death and not a lot in between, and so led the charge against Caroline Flack, bullying the 40-year-old ex-presenter of Love Island into a position she could tolerate no longer, so say those on Twitter and Facebook who now seek moral vigilance via the usual hatred of The Sun, The Daily Mail and every other newspaper which even dared report on Caroline Flack’s assault charge.

The reason why her assault charge and death have been reported to such great lengths is because of their great news value. These are massive stories that millions of people want to read and the appeal of the English media, which few other national media outlets hold, means that these reports are read by people not just in the UK but all over the world – including, oftentimes, by the very people blaming them for the suicide.

The media also reported on how Lewis Burton, her 27-year-old tennis player boyfriend whom the assault charge was against, sent a Valentine’s Day message via Instagram declaring his love for her, furthering the outreach of his support.

The Sun removed an article concerning a Valentine’s Day card sent to Miss Flack by someone who wrote “I’ll f*cking lamp you!” (in reference to her assault using a lamp as a weapon), but even then this was neither written or endorsed by The Sun, and has most likely been removed due to the poor taste of its unfortunate timing.

In all these cases, the media have reported the facts and have done so to further public discourse. That is their job. It may suit a lot of people to blame The Sun and The Daily Mail for everything that is wrong with the world, but on this instance it is entirely unjustified.

The reach of the blame has reached such worrying levels that there are two petitions, both with hundreds of thousands of signatures, for “Caroline’s Law” to be enacted to regulate press conduct surrounding supposed bullying, prompting Nick Ferrari to correctly quip, “Where was the bullying?”, and to call it “insanity”.

If the media cannot report on news which millions are interested in, which is the only crime they can actually be charged with from all this, they cannot do their work. The fact is that the media had as much to do with Miss Flack’s suicide as they had to do with the origin of the coronavirus: zilch.


The front pages of The Sun and The Daily Star in the wake of Miss Flack’s untimely death

The ill-founded crusade against them has been in turn reclaimed by them to offload to the Crown Prosecution Service (CPS), who, despite Mr Burton’s not supporting legal action against Miss Flack, pressed ahead with the case to charge her with assault and take her to court, for a court date on Wednesday, 4th March which shall of course now not go ahead.

Again, this does not stand to be fair. The CPS have at many times, including just last month in The Guardian, been accused of not doing enough to defend victims of domestic abuse cases and not taking sufficient action against domestic violence. This is because they give in too quickly when a victim (who may have been coerced and inevitably often has been) relents and decides not to press charges.

The action against Caroline Flack was hence honouring the commitment to defending victims of domestic violence. It is very necessary that the CPS defend victims of domestic violence because they usually cannot or will not defend themselves.

On Good Morning Britain this morning, legal expert Joshua Rozenberg explained why the CPS take action when victims will not and why they have to: “[Say a man and woman] live together [and there is domestic violence reported] and the woman has second thoughts and she says I want to withdraw the charges… or is coerced as you might well imagine could happen in other circumstances.

“Should the CPS say ‘oh well, don’t need to worry about it any more, because she has been persuaded to drop the charges?’ It’s not up to her. It’s up to the state to decide.”

Concerning allegations they continued the prosecution even though Miss Flack forewarned of mental troubles because of it, Mr Rozenberg said: “I’m sure that the CPS is sympathetic as we all are this morning about this tragedy, but if you could simply say to the CPS, ‘I am vulnerable, I am likely to take my own life’, well, a lot of people would say that, and it wouldn’t be true.

“It’s very difficult for the CPS to judge, we don’t know what evidence Caroline Flack’s lawyers gave to the CPS about her state of mind.”

He added that a charge would be dropped in extreme cases such as what this one turned into but as of yet we have no reason to believe that the CPS knew it would escalate to this stage.

Nasir Afzal, a former CPS prosecutor in the North-West, also weighed in that using 999 call recordings, statements, interviews and police body cameras, the CPS managed to convict for 120 domestic homicides all without the use of victim evidence, via Twitter, as reported in the same article which features Mr Rozenberg’s comments.

Miss Flack and Mr Burton’s case was different, as there was no serious injury and he was clearly the far stronger of the two of them, but exceptions cannot be made for the specifics, and it also cannot be ignored that domestic violence is an issue which faces men as well.

They have been accused of using Miss Flack’s case as a show trial, akin to Adam Johnson’s excessive sentence for child sex crimes, but this is important too. When celebrities are made examples of, it sends a deterrent to people against committing these crimes.

This is the low ebb of being a celebrity. Those who want to enjoy a rich and famous lifestyle and are lucky enough to lead one have to be mindful that publicity is a two-way street and that their behaviour hence has to be impeccable.

It is an ugly truth, but there are a million and one people who would jump at the chance to do Caroline Flack’s job, and for stepping out of line, she had to expect a backlash. The CPS raised awareness of domestic violence by prosecuting Miss Flack and this is very important in protecting vulnerable men and women nationwide.

The Twitter trolls who have abused Miss Flack online (or those who, like the card sender, did so in print) have also been blamed by the moral warrior brigade on that same site, but this is frankly ridiculous.

Again, part and parcel of being famous is that one receives flak in equal accord with fandom and strength is needed to rise above this. There was far more support on social media for Caroline Flack, anyway – her social media was consistently full of fans expressing love and support for her and this continued right the way through the mire of her assault charge.

There was even a consensus that although Laura Whitmore was a good host, Love Island  was Caroline Flack’s gig.

Besides, are we really going to accuse @akj78987 (that’s not a real Twitter handle, I checked) or whomever else, of having played a part in her death? No!

That would be ludicrous. When everything else was going on, some nobody having a go at her (at which point she would have been rigorously defended by most other nobodies anyway) would not have had such a dramatic effect.

The point to this whole article is to address a major issue surrounding Miss Flack’s death: Why is anybody being blamed at all?

Caroline Flack killed herself. Nobody else did.


Caroline Flack (picture unedited by Scottish Beauty Blog via was found dead at her house she had been renting in Stoke Newington

She was fearing the loss of her job, her image and reputation, her relationship (Lewis Burton still loved her, but after the charge it would never have been the same again) and her life as she knew it.

In amongst all her sadness, she broke and committed suicide.

Perhaps an opinion should be that she should have been stronger in the face of these struggles, but that would be a worthless contribution. The only lesson that can be learned from this is a valuable one to those of us still on this Earth: to be stronger when faced with these issues ourselves and carry on, because suicide is never way out, but a surrender – and there is light at the end of the tunnel.

There always is, so long as we hope.

It is tragic that Caroline Flack is dead and what we need to do is acknowledge the tragedy and mourn.

Creating a blame game using lies and half-truths to throw more people under the bus, due to aggravation, only makes the event more grotesque than it already is.

Rest in Peace, Caroline Flack. From the reaction felt nationwide, it is clear you will be sorely missed.

It was nobody else’s fault, so let’s not blame anyone, and come together to mourn.

VIDEO: DMU Snowsports prepare for Varsity

By Beth Surridge

With just over a month to go, De Montfort University’s (DMU) Snowsports society members are busy preparing ahead of their Varsity clash with the University of Leicester.

The two teams will battle it out in the last event of the Varsity week, on Wednesday, March 25.

DMU’s Snowboard Captain Max Hiley said: “It’s going to be a good one this year. We have been training really hard and everyone is looking so good.

“Although we lost a few of our members last year, they have been replaced by first years who are just as good and just as fast. I am proud of everything that the team has achieved.”

DMU’s Tiff Hearney smashes the race course in Varsity preparation.

DMU are looking like favourites at the moment, as their snowboard duals team have already bought home a trophy in the Midlands King’s Competition.

This means that they have qualified for the King’s finals, where they will take on Universities from all over the country that have also qualified.

DMU’s Ski Captain Ben Jacklin said: “There has been so much improvement in some of the skiers this year, and we have had first years knocking third years out of the team. It’s incredible and has made me really excited for Varsity.”

STEEZE: Board Captain Max Hiley showing off his jumps ahead of Varsity.

Before the 2017/18 Varsity, DMU had never won a snowsports Varsity contest. But since then that is all they have done, after winning two Varsity contests on the trot.

They are certainly looking to make it three in a row this year.

If you would like to come and support DMU at Varsity this year, follow them on Facebook, DMU Snow.

Leicester Comedy Festival review: Bilal Zafar at Peter Pizzeria


Reviewed by Jummy Adebiyi

Minder? You know what that is? Muslim Tinder! I bet you never would have guessed that, right? Get searching, ladies and gents.  But before you do, read the rest of this review…

For a work-in-progress show, Bilal Zafar certainly hit the mark. He had the crowd in  hysterics with a gut-busting performance.

Bilal made sure the atmosphere was right. The lighting was nice and there was some good music playing in the background as the audience filtered in. He was on time and did not leave the crowd waiting, which is always a plus. He started with ease and exuded confidence during his performance. And even though this was an as-yet unfinished show it really didn’t seem it. Even the times when he went off on a tangent, the jokes still landed.

The show was based on Zafar’s experience working a private care home for a year on a zero-hours contract. “I’ve been conditioned to hate millionaires,” he said, “now I was meant to be keeping them alive. I’m basically like a chicken who supports KFC.”

But the premise didn’t tie him down. He moved swiftly between different topics, moving the show on so it never felt stagnant. It was clear Bilal is someone who has studied the art of comedy and has a true passion for it.

Needless to say I would definitely recommend going to watch him perform. I mean, who wouldn’t want a night full of great laughs? Bilal Zafar, one to keep an eye out for.

Leicester Comedy Festival review: Carly Smallman at the Cookie


Review by Emily Pratchett

A night filled with laughter, alcohol and chatting absolute sh*** about your ex. That’s a evening with Carly Smallman. Her show Love Songs for D***heads, is deeply relatable, because at one time or another, we’ve all dated one.

Admittedly Smallman’s own story is different. Her ex dumped her three years into the relationship, after he came to the realisation that he was gay. On the bright side, she wrote a cracking song about it.

She’d only pulled a small crowd in Leicester, but Smallman has the natural gift of making people laugh. She keeps her stories light-hearted – nothing too depressing – and contemporary too. What is going on in the world right now? Lonely singletons attempting to find hook-ups on Tinder. Sad but true.

Smallman’s audience were not afraid to get involved which brought a conversational feel to the show. There was no lull between jokes or any awkwardness, even after the matter of d*** pics arose. A young woman sitting with her  boyfriend told how before she met her partner on Tinder, she’d received a bombardment of them. Online dating is an occasionally wonderful place, but mostly weird.

A connection between a comedian and their audience is not necessarily needed but in doing so it makes the performance that little bit more entertaining. Smallman greeted every individual that walked through the venue doors and then thanked them as they walked out, it was comforting to experience that encounter. By doing so, she was also pushing away any awkwardness after comments of sex, penises and vaginas have just been thrown around for an hour.

In a strange way Smallman embraces the iconic testament that it is better to laugh then cry. No relationship is easy, and in turn not all men are idiots but, in this day, and age, life is just that little bit harder. What are you going to do about it? Get on stage, become a comedian, joke about it and let people laugh with you. Nine times out of ten, the audience has gone through the same thing.

Smallman is brutally honest and unashamed, even when singing and talking about a hypothetical gallery whereby she pictures the penis of every man she has encountered.

Fiery, energetic and a must-see performer, Carly Smallman is an exceptional comedian.


Leicester Comedy Festival review: Tom Little at the Cosy Club


Review by Jess Urquhart

As opening lines go, “if you’ve come to see the Australian Tom Little, then you will be disappointed” didn’t really fill you with hope.

The Leicester Mercury Comedian of the Year 2015 comes across as very energetic, enlightening us with the tales from his home town in Cumbria.

Yes, his joke about his name sounding like it should be from a children’s story was funny but after that the show went down a very strange route with Little going off on many different tangents. It seemed as though he had forgotten some of his set and tried to make it flow by saying what came into his head straight away and make a gag out of that.

I don’t know if this was down to nerves, but how can you go from flavours of crisps to dolphins on a hen night? To me that seemed a little strange.

The show had its ups and downs with half of the audience enjoying it and the other half just looking rather confused. A man sitting behind me found it all hilarious but the woman next to me seemed to check her phone an awful lot.

The funniest part of the show for me had to be when one of the members of the audience left and little Tom waited a good minute for him to come back, standing on the stage checking his phone before he carried on.

His impression of Suede’s Brett Anderson was fairly entertaining, and the line “I only keep this in so the audience has to applaud” cracked-up the crowd. Little does have a particularly good singing voice.

Towards the end Tom tied his show together by linking it back with his crisp debate at the beginning and also talking about how he had to send his chicken feed back.

But while the interaction with the audience delivered laughs, I found this show to be a something of a let down. I expected him to be funnier.